19 February 2022 (Sat), 19:00 World famous Bolshoi Ballet and Opera theatre (established 1776) - Small Stage - Classical Ballet Evening of one-act ballets: George Balanchine "Artifact Suite", Maurice Bejart "Gaite Parisienne" Tickets available only at OperaAndBallet.com
The performance has 1 intermission
Schedule for Evening of one-act ballets: George Balanchine "Artifact Suite", Maurice Bejart "Gaite Parisienne" 2022
Composer: Johann Sebastian Bach Choreography: William Forsythe Composer: Jacques Offenbach Choreography: Maurice Bejart Composer: Eva Crossman-Hecht
Orchestra: Bolshoi Theatre Symphony Orchestra Ballet company: Bolshoi Ballet
Classical Ballet in 2 act
Artifact Suite
Ballet in one act To music by Eva Crossman-Hecht and Johann Sebastian Bach
Choreography, Costume and Lighting Design: William Forsythe Ballet Masters: Kathryn Bennetts, Noah D. Gelber Costume Production Superviser:Dorothee Merg Lighting Technical Coordination: Tanja Rühl Sound Technical Coordination: Niels Lanz Piano Coach: Margot Kazimirska
Gaîté Parisienne
Ballet in one act To music by Jacques Offenbach/ Manuel Rosenthal
Choreography: Maurice Bejart Set and Costume Designer: Thierry Bosquet Ballet Masters: Piotr Nardelli, Keisuke Nasuno Music Director: Timur Zangiev Lighting Designer: Anton Stikhin
Synopsis
A young man comes to Paris to study dance. He meets a professor who both adores and bullies him.
He constantly escapes into reveries and fills his universe with dreamlike characters.
Some time ago, Jacqueline Cartier presented me with the text of a musical that she had just written about the life of Offenbach. I was seduced by the way the character of the musician was portrayed in relation to the period he lived in. I was fascinated to discover, next to the image of Offenbach, this newspaper from the Paris of the Second Empire and the beginning of the Third Republic.
This project reminds me of vivid memories from my youth and my arrival in Paris.
THE OPERA: a magical and monstrous place, a triumph of the sublime and of the bad taste of Napoleon III.
MADAME, the studios, the filth and misery of the beginners, of those who work.
OFFENBACH he enchanted my youth and one of my first choreographies: Répétition au violon was from his music. Aged twenty-one, I had to dance the Gaîté parisienne ballet in London, in Massine’s choreography. My first experience directing an opera was The Tales of Hoffmann.
PARIS, where I was looking in the alleys for the shadows of a distant past, but could only find Napoleon III and his baron Haussmann.
In a way, this ballet is a mixture between a private diary and a humorous newspaper of the time.
Schedule for Evening of one-act ballets: George Balanchine "Artifact Suite", Maurice Bejart "Gaite Parisienne" 2022
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