Choreography - Philippe Giraudeau
Synopsis
Act I
Scene one
A garden by night.
Leporello, Don Giovanni’s servant, is waiting for his master, who has
entered the house of the Commendatore with intent to seduce that gentleman’s
daughter, Donna Anna.The Don emerges, pursued by the young lad (Introduction:
Notte e giorno faticar). Donna Anna, who is betrothed to Don Ottavio, has
managed to beat off her assailant and now attempts to discover his identity.
Alerted by his daughter’s cries, the Commendatore hurries to the scene, but is
mortally wounded by Don Giovanni.
Leporello and his master escape. When Donna Anna, who has gone to seek
help, returns accompanied by her betrothed and several servants, she finds only
the dead body of her father. Donna Anna enjoins Don Ottavio to swear vengeance
on her father’s murderer (Duet: Fuggi, crudele, fuggi).
Scene two
A street by night.
Don Giovanni and Leporello, in search of fresh adventures, come across
Donna Elvira, who was seduced and abandoned by Don Giovanni and has been looking
for him to get her revenge (Aria: Ah chi mi dice mai). As soon as the rake
recognizes Elvira as one of his previous amours, he goes off, leaving Leporello
to explain to the lady the reason for his deserting her so suddenly. The servant
then rattles off a long list of his master’s conquests (Aria: Madamina, il
catalogo и questo). Exit Donna Elvira, who is determined to punish her
perjurious lover.
Zerlina and Masetto, with a group of peasants, are celebrating their
approaching marriage (Chorus: Giovinette che fate all’amore). Don Giovanni
enters with Leporello and pays court to the bride. He invites the whole wedding
party to his country house, and undertakes personally to escort Zerlina there.
Masetto is led away on a pretext by Leporello, but has clearly grasped the
situation and is anxious to put matters straight with Zerlina (Aria: Ho capito,
signor sм). Left alone with the girl, Don Giovanni attempts to seduce her with
gallant promises (Duettino: Lа ci darem la mano). But the unexpected arrival of
Donna Elvira, who denounces her betrayer and takes Zerlina aside, prevents him
from implementing these designs (Aria: Ah fuggi il traditor).
Meanwhile Donna Anna and Don Ottavio arrive. Not recognizing Don Giovanni
as the Commendatore’s assassin, they seek his assistance in punishing the
culprit. When Donna Elvira reappears and reports her unfaithful lover’s misdeeds
(Quartet: Non ti fidar, o misera), Don Giovanni slips away. But Donna Anna has
recognized his voice as that of her seducer and of the man who killed her
father. She urges Don Ottavio to avenge the outrage without hesitation (Aria: Or
sai chi l’onore). Don Ottavio in his turn vows to himself to carry out the
wishes of his beloved (Aria: Dalla sua pace). In the meantime Don Giovanni
directs preparations for the festivities, during which he hopes to possess the
attractive young Zerlina (Aria: Fin ch’han dal vino).
Scene three
A garden with two gates locked on the outside. Two alcoves.
Masetto rebukes Zerlina for her unfaithfulness, but his bride soothingly
reassures him that her virtue has not been offended by the amorous knight (Aria:
Batti, batti, o bel Masetto). Masetto however, when Don Giovanni arrives, hides
in an alcove and spies on his advances to Zerlina. But the libertine, having
noticed the bridegroom’s presence, promptly invites him and Zerlina to the ball
(Finale: Presto, presto, pria ch’ei venga). Three masked figures – Don Ottavio,
Donna Anna and Donna Elvira – now enter in search of Don Giovanni, who does not
recognize them and invites them too to the party.
Scene four
A brightly lit hall prepared for a lavish ball.
During the festivities Don Giovanni attempts to seduce Zerlina, but his
plan is thwarted by the arrival of Donna Anna, Don Ottavio and Donna Elvira.
After trying in vain to put the blame on Leporello, and threatening everyone
insight, Don Giovanni vanishes.
Act II
Scene one
A street.
Leporello has made up his mind to leave his master’s service, but the Don
convinces him to stay on, and even to exchange costumes so that the cavalier can
seduce Donna Elvira’s maid (Duet: Eh via, buffone). When Elvira appears at the
window, Don Giovanni, concealed behind Leporello, declares his repentance to
her. Trusting his words, Elvira goes off with the servant whom she has mistaken
for her former admirer (Trio: Ah taci, ingiusto core). Don Giovanni is now left
free to serenade Donna Elvira’s maid (Canzonetta: Deh vieni alla finestra), but
the sudden entry of Masetto, accompanied by armed peasants who are determined to
kill the seducer, obliges him to give up this conquest too.
Having recognized the servant Leporello in Don Giovanni’s clothes, Masetto
asks him for news of his master. But the Don, taking advantage of his disguise,
manages to get rid of the peasants and is left alone with Masetto, to whom he
delivers a thrashing (Aria: Metа di voi qua vadano). Zerlina comes to the aid of
her betrothed and reproaches him for his jealousy but lovingly tends his bruises
(Aria: Vedrai, carino).
Scene two
A darkened room in Donna Anna’s house.
Donna Anna and Don Ottavio, Zerlina and Masetto have discovered Leporello’s
disguise and the trick played on Donna Elvira (Sextet: Sola, sola in buio loco).
The servant barely escapes just punishment (Aria: Ah pietа, signori miei). Don
Ottavio, sure by now of Don Giovanni’s guilt, decides to enlist the authorities
to avenge the crimes committed by this villain (Aria: Il mio tesoro intanto),
while Donna Elvira cannot conceal her pity for the miscreant (Aria: Mi tradм
quell’alma ingrata).
Scene three
A graveyard with several equestrian statues and one of the
Commendatore.
Don Giovanni meets Leporello and tells him of yet another disreputable
thing he has done. In reply to obscure threats uttered by the statue of the
Commendatore, who is buried there, the rake has invited him to supper at his
palace (Duet: O statua gentilissima).
Scene four
A gloomy room.
Don Ottavio, confirming to Donna Anna that Don Giovanni is soon to be
punished by law, asks her if she feels she can now accept his proposal of
marriage. But she is weary after recent events and begs him to be patient a
little longer, though she again reassures him of her love (Aria: Non mi dir,
bell’idol mio).
Scene five
A dining room and table laid for a feast.
While Don Giovanni cheerfully dines, despite the appearance of Donna
Elvira, who has come to get him to repent his sins, the statue of the
Commendatore appears at the door (Finale: Giа la mensa и preparata). Leporello
takes shelter under the table, while Don Giovanni confronts the grim apparition.
After refusing the statue’s recommendations to repent, he is dragged down to
Hell. To the assembled company, who have come to arrest the Don, Leporello
recounts his master’s death. A final ensemble rejoices in serenity
regained.
Characters
Photos:
from http://www.teatroallascala.org