She was named  «lofty sky," after magazine Opera News.  Sarah Coburn captures audiences' absolute calibrated, excellent flowing, smooth golden sound of exciting top to the very bottom »(The Globe and Mail). Talking about her performance in "Lucia di Lammermoor" in the play Glimmerglass Opera, New York Observer notes that it "reveals the quality of its legendary predecessors, from Adelina Patti to Maria Callas: stage charisma, exciting, awe upper case and that it is important , fearlessness in the rejection of his "I" in favor of the heroine ... this is truly an exciting voice ... Miss Coburn - blossoming diva, with a very promising future. "

Sarah Coburn engagements in 2010-2011 season include her debut at the Vienna Staatsoper (Amina in "La Sonnambula" by Bellini) and the Montreal Opera (Gilda in "Rigoletto" by Verdi), returning to the role of Gilda in theaters in Los Angeles and Cincinnati, and with a party of Rosina ("The Barber of Seville" by Rossini) at Seattle Opera. She also took part in a performance of Handel's oratorio «L'allegro, il pensoroso, ed il moderato» at Opera of Los Angeles and sang solo concert in the "National Museum of Women in Art" in Washington. In the 2009-2010 season she sang Astaire in "Tamerlane" by Handel at the Los Angeles Opera, Rosina - in Los Angeles and in the Florida Grand Opera, the title role in "Lucia di Lammermoor" at the Opera, the Tulsa (Oklahoma, USA) , Gilda in Welsh National Opera (Wales). She also performed in the evening of bel canto arias with the choir of Canterbury Choral Society and Symphony Orchestra, the Bartlesvillya (Oklahoma).

Sarah Coburn recent performances include his performance as Vittoria in the opera by the Italian composer XIX century K.Pedrotti Tutti in maschera at the Wexford Opera Festival (Ireland), Euridice in Haydn's opera "The soul of the philosopher" directed by Sir Roger Norrington in the concert "Handel and Haydn Society" Gilda and the Portland Opera. She also was a soloist in the "Messiah" by Handel with symphony orchestras in Seattle and Philadelphia, "Carmina Burana" Orff with the Symphony Orchestra of New Jersey, made with Bryn Terfel at the evening concert series of world opera stars (Superstar Series) in the Grand Opera in Florida Lawrence Brownlee in Concert Society of Vocal Art in Washington, the John F. Kennedy Center.

The most important speeches of Sarah Coburn in bel canto repertoire include Asteria performance as the Washington National Opera, Elvira ("Puritans" Bellini) in Washington concert opera, title roles in "Lakme" by Delibes in Tulsa Opera in "Lucia di Lammermoor" in opera houses Cincinnati, Utah, and Glimmerglass Opera, in "Linda di Chamounix" Donizetti at Caramoor Festival in New York City, Juliet ("Kapuleti Montecchi" by Bellini) at Glimmerglass Opera, and Norina ("Don Pasquale" by Donizetti) in Florida. In 2006 she performed the role of Princess Yu Yang in the world premiere of Tan Dun's opera "The First Emperor" at the Metropolitan Opera in the ensemble with Placido Domingo (and participated in performances next season). In 2007, she sang in the world premiere of Kitty opera "Anna Karenina" by American composer David Carlson in Florida, and later acted in the same role at the Opera House in St. Louis. The repertoire of Sarah Coburn as the party of Adele ("Die Fledermaus" by Strauss) in the opera houses of Seattle and Michigan, Oscar ("Verdi's A Masked Ball") and Olympia ("Tales of Hoffmann" by Offenbach) in the Cincinnati Opera, Sandrine and Susanna in the opera Mozart's "Imaginary Gardener" and "The Marriage of Figaro" in Florida.

As a concert singer Sarah Coburn she sang in the Mass in B minor Bach's Mass in C minor by Mozart with the Seattle Symphony Orchestra, in "Carmina Burana" with the National Orff chorus Avery Fisher Hall, the National Symphony Orchestra, the Haddonfield Symphony Kimmel Center for the Performing Arts in Philadelphia and Orchestra Dallas Wind Symphony.

Sarah Coburn was born in Petersberg (Virginia) August 4, 1977. Her father, Tom Coburn - U.S. Senator from Oklahoma. She graduated from the University of Oklahoma, where she received a Master of Music. She studied under the direction of Larry Wade Keller. Initial success achieved in 2001, becoming a finalist for the National Singing Competition, held at the Metropolitan Opera. Sarah Coburn - grant holder Opera Index Career Grant (2002), the Prize Fund Liederkranz (2003), the prize of the George London (2004), Sara Tucker Study Grant to support talented young opera singers from the USA Foundation, Richard Tucker (2004), the Prize Fund Jensen (2004).