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15 July 2018 (Sun), 19:00 Russian National Ballet Theatre - Classical Ballet Pyotr Tchaikovsky "Swan Lake" (ballet in 3 acts)

Running time: 2 hours 20 minutes (till 22:10)

The performance has 2 intermissions

Schedule for Pyotr Tchaikovsky "Swan Lake" (ballet in 3 acts) 2022


Orchestra: Symphony orchestra of the Summer Ballet Seasons

Classical Ballet in 2 acts

Music by Pyotr Tchaikovsky (1840-1893)

Libretto by Vladimir Begichev and Vasily Geltzer 

Choreography: L. Ivanov, M. Petipa, K. Sergeyev, A. Messerer, A. Shelest, I. Chernyshev.

 

World premiere: March 4, 1877.

 

"Swan Lake"

It is difficult to understand these days how it could have happened that the first show of the “Lake” in 1877, in Moscow’s Bolshoi, was a flop and that it took many years for the ballet to achieve its worldwide cult status. The composer, Pyotr Ilych Tchaikovsky, never lived to see the ultimate success of his creation.

The story begins in 1875 when Bolshoi commissions a ballet score from the young but already famous composer. It was not yet customary practice –despite Tchaikovsky fame and previous successes, which included four symphonies, the now famous Piano Concerto and “Eugene Onegin” opera, the Imperial Theatres of the time would normally employ the composers on Imperial payrolls, such as Cesare Pugni, Ludwig Minkus, and Riccardo Drigo. Keeping that in mind, Tchaikovsky did not embark on the course of a revolution in the Russian ballet, and studied the classic ballet scores assiduously, planning to produce a score that would be in tune with the established tradition but at the same time would sound new and interesting. The task of composition occupied him from May 1875 to April 1876. The story was a knightly fairy tale, and historians still debate the literary origins –some opt for Heine, some for Musaeus, a German fairy-tale writer, some for Russian folklore fairy tales, some even for Pushkin.

The first show took place on February 20, 1877, and was a flop. The critics reviled the chief choreographer, Wentsel Reisinger, and were short on praise for Polina (Pelageya) Karpakova, the first interpreter of the main female part. The failure of the first show was detrimental for the immediate reputation of the ballet itself, and for quite some time nobody dared to stage it again.

The situation changed after Tchaikovsky’s death. In 1893, Mariinka decided to revive the “Swan Lake”. A new version of the libretto and the music was to be produced by Modest Tchaikovsky, the composer’s brother, Ivan Vsevolzhsky, the director of the Imperial Theatres himself, and by Riccardo Drigo. The latter used the original music as source material for a completely new score. The choreography was supervised by Marius Petipa and his pupil Lev Ivanov. The tradition claims that while Petipa was the father of the unique choreography of the new ballet, its truly Russian singing character is there thanks to Ivanov. The lake and swan scenes, famous for their perfection, are undoubtedly his alone. It was Ivanov who came up with the idea of enchanted ladies with their crisscrossed arms and heads tilted to one side, which every spectator immediately recognized for birds that sit with their wings folded. The very magical world of the swan lake was created by Ivanov. Petipa’s are the scenes of courtly dances and festivities and their intricate lace of waltzes and various dances – Spanish, Hungarian, Polish. Petipa also created an antipode for Ivanov’s White Queen of Swans –its black twin Odile, and its beautiful black pas-de-deux of the second act.

It was this particular stage version that came to be admired as the pinnacle of Russian ballet. This production, like none other, was the perfect setting for many famous dancers to showcase their art. The Swan Lake is a unique and perfect creation, and despite the changing musical and dancing fashions, the performance of Odette and Odile parts is still considered a touchstone for the mettle of any serious dancer. The White Swan is truly a symbol of Russian Ballet, of its beauty and magnificence. 

 


Music For Ballets Fragment 1 Fragment 2

 




Synopsis

PROLOGUE

In the palace of King Florestan, there is a festival in honour of the christening of the newborn daughter, Princess Aurora. Accompanied by the courtiers appear happy parents and guests. Good fairies endow the hero of the occasion with the best human qualities, predicting her good fortune. The holiday atmosphere is disturbed by the invasion of the evil Fairy Carabosse. She was forgotten to be invited, and therefore she takes revenge on the offenders: she predicts that the beautiful princess will be killed by a needle. The Lilac Fairy softens this curse: Aurora will not die, but will only fall asleep. The day will come when the young prince, fascinated by the beauty of the girl, will bring her back to life with a kiss.

ACT I

It's been 16 years. Guests gathered again. Here and sovereign princes - contenders for the hand and heart of the young Aurora. They are amazed by her beauty. The princess is equally friendly with everyone. In the midst of the holiday, Aurora receives a bouquet of roses from a stranger and dances with him in ecstasy. But there, it turns out, the needle is covered. Suddenly pricking the arm, the princess loses her strength and drops dead. Such was the offering of the Carabos Fairy. She triumphs - her curse has come true. The Fairy of the Lilac comforts everyone. Aurora is only sleeping and will be in a dream for a hundred years. So that nothing has changed for the princess, everyone falls asleep with her. The kingdom plunges into sleep. The park is overgrown with bushes. In their thick lock more often hides.

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ACT II

In the palace, a magnificent ball on the occasion of the wedding of Aurora and Desiree. Among the guests are fairy tale characters: the Puss in Boots and the White Cat, Princess Florina and the Blue Bird, the Wolf and Little Red Riding Hood, the Ogre and the Tom Thumb.

The newlyweds are also congratulated by the Fairies of Gold, Silver, Sapphires and Diamonds, overshadowing their future with well-being. In the apotheosis - universal rejoicing. He is crowned by the Lilac Fairy - the personification of the triumphant good.




Schedule for Pyotr Tchaikovsky "Swan Lake" (ballet in 3 acts) 2022


"Swan Lake" Moscow Ballet “La Classique” (a.d. E.Melikov)
 
About This Video
01:56
"Swan Lake"
Moscow Ballet “La Classique” (a.d. E.Melikov)


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