Act I
In Spain, at the height of the power of the Inquisition. The Genius of the
Shadows has at his feet, bound in chains, a beautiful woman, who is Light,
Progress, the Genius of Humanity, suffering under the tyranny of Obscurantism.
But soon the fetters fall broken, and the woman ’s head is irradiated with
dazzling light: Light triumphs once more, and shows Obscurantism the scene now
transformed into the Palace of the Geniuses who illuminate Humanity with their
works.
There appear the symbols of Science, Strength, Industry, Love, Civilisation,
Constance, Union, Concord , Valour, Glory, Invention , the Arts, Agriculture,
Commerce, etc. A pleasant village on the banks of the river Weser, near the city
of Bremen.
The landlord and landlady of a tavern on the river bank joyfully watch the
return of their son Valentino, who, with his companions, has won the victory in
a regatta. The winning boat arrives at the bank, and is received by the exulting
crowd; Valentino and Fanny, his fiancйe, dance, and all drink to the health of
the winners. The captain of the losing boat challenges Valentino for the next
day: each rowing alone, this time Valentino will be the loser.
But a mysterious man, who is lying on the river bank, sneers and scoffs at
the challenge; it is Obscurantism, who shows the astonished oarsmen a strange
boat which is rapidly moving up the river as if impelled by infernal powers.
This is the steam boat, the new invention of Denis Papin, and the Genius of Evil
incites the spirits of the oarsmen against it; they see in it a threat to their
own interests. Papin’s boat is broken to pieces by the ferocious crowd, and the
unfortunate inventor, about to succumb, seizes the robes of Light, who has risen
out of the water to come to his aid.
Light shows the future prodigies of Papin’s invention; at New York , in the
sea between two promontories joined by a bridge on which runs a locomotive, a
steamship sails, fast, triumphant. This is the glorious work of Fulton that has
arisen from Papin’s initiative. Once more, Progress has defeated Obscurantism.
In the laboratory of Alessandro Volta at Como.
The inventor sits, depressed and pensive, beside the electric battery which
he cannot succeed in bringing to perfection; he doubts the success of his
invention while, in the shadows, Obscurantism rejoices in triumph. But suddenly
Volta gets up, as if filled by a superhuman power; he approaches the battery,
adds something, joins the two electric conducting wires, and a spark illuminates
the stage.
Victory! When the exsultant inventor has withdrawn, the Genius of the Shadows
desperately tries to destroy the miraculous invention, but in vain. Light
appears, a n d majestically shows the enemy the effects of electricity. The
scene changes to the courtyard of the building with the electric telegraph
office in Washington. A crown of messengers fills the courtyard, while Light
exults and Obscurantism flees with curses and imprecations.
Act II
In the desert. A caravan of men, women and children is assailed by a terrible
gale of wind: it is the Simoon which raises the sand, overthrows animals and
men, and produces a thick darkness. The caravan, and a band of thieves who have
been trying to rob it, are overswept and heaped up one on top of the other in
this tremendous upheaval of nature. Obscurantism wanders about the desert, the
only one to rejoice in all this ruin and extermination.
But Light appears, and shows a point on the horizon: the way by which men can
reach their destination without having to face the dangers of the desert. The
scene of desolation disappears; a wide canal flows between two sandy banks, on
which all the civilised peoples of Europe are gathered together rejoicing. This
is the Suez Canal, another triumph of Progress, another victory of Light over
Obscurantism. Men from all parts of the world dance in joy, while evening comes
and Light reappears among the exulting people. Still unconquered by the great
discoveries, the Genius of the Shadows now wanders about near the tunnelling
work under Mont-Cenis.
The last charge of explosive is ready, the barrier that still separates the
Italian excavators from their French companions falls. But no sound is heard,
and engineers and workmen fear that they have gone astray as they bored into the
rock, and doubt the success of the great undertaking. But a far-off detonation
is heard to indicate that the task has been properly accomplished.
The French workmen jump down from the gap that is opened in the rock by
strokes of the pick-axe, and embrace their companions amid the general
exultation, they celebrate the triumphant conclusion of the enormous
undertaking. Majestically, the monument erected to the glory of the tunnelling
of Mont-Cenis, and to the Genius of the human race, rises in the middle of the
stage.
Obscurantism is furious, and has to watch, in impotent rage, the triumph of
the eternal enemy Light, who with an imperious gesture shows the people of the
world united in brotherly love; all is over for the Genius of the Shadows, while
for the Genius of Civilisation much remains still to be done. At another gesture
of Light, the earth opens out under the feet of Obscurantism, engulfing him.
The series of glorious events closes with the great apotheosis of the Genius
of the human race: Science, Progress, Brotherhood and Love join in immense
rejoicing to celebrate the glory of the present, and the greater glory of the
future.