|
Ekaterina Oblezova (Soprano) 
Born in Moscow. Graduated from the Nizhny Novgorod State Glinka Conservatory in 1994.
Had been an artist of the choir of "Helikon-Opera" since 1991, a soloist since 1995.
Her strong point is temperamental roles in comic operas. One of her first solo roles was Ida from Strauss’s "Die Fledermaus". Ida appeares to the public very funny and touching, psychologically exact and recognized. Her performing decorated this bright and celebratory performance as originally theatrical sparkling jewelry.
Ekaterina Oblezova is the artist possessing the broadest colourful palette. Her characters are significant, and at the same time her performing appropriate elegant ease, masterful tapering.
Directing became a natural stage of the creative biography of Ekaterina Oblezova. As the assistant to the director she worked on Verdi’s "Macbeth" (directed by Danis Krief); Rimsky-Korsakov ’s "The Tsar’s Bride", "Kashey the Immortal", Berg’s "Lulu" and many more performances directed by Dmitry Bertman. She also stages "Helikon" new year performances for children.
Tours: Lebanon, Great Britain, France, Spain, Italy.
REPERTOIRE:
Micaela and Mercedes in Bizet’s "Carmen"
Caroline in Gretry’s "Pierre le Grand"
Nedda in Leoncavallo’s "Pagliacci"
Stella and Antonia’s mother in Offenbach’s "Les Contes d’Hoffmann"
Rosalinda and Ida in Strauss’s "Die Fledermaus"
Lady in Waiting in Verdi’s "Macbeth"
Meg Page in Verdi’s "Falstaff"
Annina and Flora in Verdi’s "La Traviata"
Amelfa in Rimsky-Korsakov’s "The Golden Cockerel"
Tsarevna the Swan in Rimsky-Korsakov’s "The Tale of Tsar Saltan"
Saburova, Petrovna, Duniasha in Rimsky-Korsakov’s "The Tsar’s Bride"
Larina in Tchaikovsky’s "Eugene Onegin"
Milovzor in Tchaikovsky’s "The Queen of Spades"
Laura in Tchaikovsky’s "Iolanta"
Housemaid in Janahek‘s "Vec Makropoulos"
|
If you need help or have a question for Customer Service,